haiticollectionpri

In Luckner Lazard’s Marine Landscape, the sea becomes more than water, the boats more than vessels, and the sky more than atmosphere. The painting invites us into a quiet Haitian coastal dream, where sails rise like spirits, colors deepen into memory, and the shoreline seems to hover between the earthly and the imagined. Before seeing the canvas, picture a harbor at twilight: calm, mysterious, watchful, and filled with the silent poetry of departure.

A hush hangs in the air—like the moment right before a story turns. In Untitled, Felix Lafortune invites you into a dim, living corridor of color where the trees don’t just stand… they flare, shimmer, and seem to watch. The scene feels both intimate and mythic, as if you’ve stepped into a secret garden that only appears when you’re willing to follow instinct instead of a map.

The first thing you feel in Together (2012) is a steady, almost ceremonial presence—two forms held in a single, radiant structure, as if closeness itself has been turned into pattern, color, and sacred geometry.