haiticollectionpri

https://post.moma.org/the-silence-of-sanctuary-how-the-museum-served-as-a-safe-space-for-haitian-vodou-art/?fbclid=IwY2xjawPxrlhleHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe6Vw1ZBHhsb3hicyCWzsM8rmu13Vqu-yQhyvNo3gUHpfM-UPKIXPE_zQHV4A_aem_ERSJfXBXhwszN95eDgVQ8Q

from March 31st to October 4th at the NSU Art museum Fort Lauderdale, FL https://nsuartmuseum.org/exhibition/frantz-zephirin/?fbclid=IwY2xjawPvRdJleHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeVHNfMIjxgWwhAfvMW1hS1BB60312gBpH4n_zYipGqai7SsL6KGdeSxKhwXI_aem_d7e5A-pSRbmmBXFo1S6MPw

A hush hangs in the air—like the moment right before a story turns. In Untitled, Felix Lafortune invites you into a dim, living corridor of color where the trees don’t just stand… they flare, shimmer, and seem to watch. The scene feels both intimate and mythic, as if you’ve stepped into a secret garden that only appears when you’re willing to follow instinct instead of a map.