haiticollectionpri

A painting can feel like a doorway—quiet at first, then suddenly expansive. In Untitled, ca. 1980, Madsen Monpremier offers a scene that reads like a midnight procession: poised, enigmatic, and softly luminous, as if the air itself has been cooled into color.

There’s a particular kind of painting that doesn’t just invite attention—it returns it. Simbi Ganga, ca 1999 feels like a threshold scene: part ceremony, part warning, part welcome, where beauty and intensity share the same breath.

Luckner Lazard invites you into a place that feels both remembered and invented—where houses gather like whispered stories, where the sky presses close in thick, ocean-blue breath, and where Haiti Collection Privée holds the doorway open for you to step inside with your imagination first, and your eyes second.